At first glance, the Spirit looks almost the same as the Origin. A single mono mic about a foot from the 12th fret and angled in was perfect for our tracking session. We provide insight and opinion on the gear, tools, software and services to enhance and expand the minds of music makers and listeners. The views expressed are those of the contributors and not necessarily those of the publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Two thin internal posts support the cage, which is lined with a stainless-steel mesh to provide RF screening and a useful degree of pop filtering. © 2020 MusicTech is a member of the media division of BandLab Technologies. Given that Aston’s Rycote mount can be adjusted to fit many other mics too, I’d definitely go with that, and Rycote’s optional clip-on pop filter is extremely transparent from a sonic viewpoint. Apparently the original spec included WIMA capacitors, but UK manufacturing company Sedgewall decided to use an even higher-spec’ed USA capacitor from COG (NPO) due to its dielectric properties and greater temperature stability. At first glance, the Spirit looks almost the same as the Origin. I purchased the Aston Spirit as a private individual after reading reviews and listening to test recordings on YouTube. Gear4Music (UK) First of all, let’s unbox. Web www.astonmics.com. The three-pattern Spirit offers cardioid, omni or figure-of-eight patterns courtesy of a one-inch, dual-diaphragm capsule; a small toggle switch selects the appropriate pattern. All the features of the Moog Concertmate MG-1 wrapped up in an attractive interface. This threaded mounting point allows the mic to be used without a shockmount where practical, though Aston offer a bespoke version of Rycote’s universal shockmount (with purple lyres) that can be bought as an optional accessory. Something new this way comes. After about a week of noodling around with them, I sent back the Origin and kept the Spirit. On my own voice the playback sounded pretty natural, with none of the obvious phasiness or honkiness you sometimes hear with cardioid-pattern mics. I had both an Origin and Spirit by Aston Microphones. The additional low-end build-up meant we had to place the Spirit a little further back to get a usable sound. Last updated: 2020/06/12. ● Frequency response: 20Hz-20kHz (+/- 3dB) The housing uses a stainless-steel ‘spring’ cage structure in place of a conventional basket, so that if the mic suffers a knock, the cage deforms slightly to absorb the impact. Like the Origin, the Spirit is designed, built and tested here in the UK, and combines selected third-party capsules with very high-quality electronics. The cylindrical body is also made from stainless steel, with a plain ‘tumbled’ finish and laser-engraved legending so it should age gracefully. Mike Hillier enters the Spirit world…, Details A good all-rounder. The Spirit LDC is the second mic in Aston's catalogue: following the fixed-cardioid Origin (reviewed by Dowsed here on Gearslutz). By checking the boxes you agree to receive the following from us via e-mail. One Synth Challenge V - The Filter Strikes Back! There are countless multi-pattern, side-address capacitor microphones around priced to appeal to the home-studio owner, with Rode, AKG, MXL, sE Electronics, Studio Projects and Sontronics being just the first few brands that came to mind. Amazon. The review model was supplied with the new Aston USM cradle, which performs very well and, with screw braces, can accommodate a whole range of mics. My speech tests in cardioid mode revealed that the mic sounds only slightly different with the low-cut filter in, and the resistance to popping is better than for many studio mics, though I’d still use a pop shield for serious recording. ● -10 / -20dB pad Given its competitive cost, the Spirit stands up well against more costly US-made boutique mics that take a similar approach in teaming third-party capsules with high-quality custom electronics. The Aston Spirit expands on the Origin in a number of ways. "The Spirit displays the same smooth mid range and high top as the Origin, but there is an additional brightness." When angled more towards the neck, the tonality changed, reducing the bottom-end and bringing out the sparkle in the neck, but still without sounding harsh, or unnatural. What is a "hybrid" audio interface anyway? If anything, the mic sounds a hint more polished than the Origin, which is itself a very nice mic, and if pressed I’d put that down to the transformer output stage (the Origin has an electronically balanced output).
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