Happy customers, one piece of gear at a time! Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. Get Directions | Sweetwater Sound This mic sounds better on a wider range of singers in my experience than anything other than an SM58, but is more natural than a 58 and of course the feedback rejection is superior. I bought two of these Mics for use, they sound a lot better than the SM-58 but beware, some signers voices will sound like crap on this mic and you'll need another mic in your kit for them. the pros of this mic are that it is very good at resisting feedback mainly because of its tight pickup pattern and the fact that although it is a hypercardiod mic it seems to have no pickup at the rear.this means that you really can put a moniter directly behind this mic, which is unheard of with any other super or hyper cardiod mic.this does offer more freedom for the vocalist to wander around without having to to worry about moniter placement and feedback. , geoff tate-queensryche, the singer from Hammerfall, roy kahn-kamelot....etc. The OM-6 just doesn't seem to have the same natural response that a top-notch live performer needs. The body of the microphone itself is beautifully tapered and beautifully finished, and is a joy to hold. the cons were that it did have a bit of handling noise (compared to say the sennheiser 900 mics which are exceptional at this mind!) I like many others was a Shure fanboy for the longest time, but since buying this my 58 hasn't been taken out of its case. Solves alot of problems with feedback. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144 dB without distortion. overall i think the mic is a good problem solver in high spl situations (and where you might want be able to EQ in some mid presence )but overall i would say there are better sounding mics for my voice ( which is very clean and melodic i.e. That is crazy that a mic this good was sold at radio shack a long time ago. and that although i thought it gave quite a natural thick representation of the voice i definatly didnt think it was clearer than some other dynamics ive used( the clearest dynamics ive tried have been the audio-technica ae6100 and the sennheiser e935) the only other thing about this mic is that it is designed without the usual mid range presence that is in most other dynamics to give them clarity. The OM6 is a hypercardioid dynamic model designed for vocals and even voiceovers. A Sweetwater Sales Engineer will get back to you shortly. The Audix OM6 is a hand held style dynamic microphone that can be used in just about any situation. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. This website uses cookies to improve your experience. The Audix OM6 was one of the first mics that I have ever used, I think I got it a radio shack. The Audix OM6 is a microphone designed to be a hand held microphone for vocal use. I've personally only used it in a recording studio where I was the assistant engineering on the session. While I haven't used this for vocals during a live show, this is the perfect kind of microphone for that sort of use. Professional Dynamic Vocal Microphone The OM6 is a dynamic vocal microphone used for live performances, studio, and broadcast applications. Gets the job done as far as vocals are concerned, but lets be serious... You don't see them on the road. Destroys Shure,EV, and just about every other mic. No artificial sounding zippiness and no mud. Everything you love about Sweetwater in the palm of your hand. Superb rejection due to its tight pickup pattern, and the anti feedback proprietary design. While both these mics are perfectly suited for live sound, my studio tests prove that they’re handy at recording too. Seriously, the best sounding live mic I've ever used you will not be disappointed, well worth the price point especially if you play out a lot. No artificial sounding zippiness and no mud. Audix OM-6 Hypercardioid Dynamic Vocal Microphone Reviews. system) did not give the mic a very good ability to cut through the mix of the band. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 (Song, sound, mixed ..), Thank you for reading my first review since the. The OM6 has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. SM58's are well-suited to the male vocal range, but sound rather lackluster on female voices. if you want a great mic for gigs get this one I have bought all the big name mics you can think of and this is by far the best' Shure/Rode/Beyer/Audiotech/Senn/ eat your heart out. The Audix OM6 is a great mic for live work especially Vocals. This microphone is also touted as being great for group singing (not a group singing into one microphone, that is rather difficult with a hypercardioid microphone), with Audix proudly touting that the OM6 is what gave Crosby, Stills and Nash their "trademark vocal sound." This presence peak brings out the vocals and helps them cut a bit more through a mix. It is a dynamic microphone that is fairly flat, but in designed to just have a gently rising frequency response between 2,000 Hz and 10,000 Hz. It has good off-axis rejection and, according to Audix, a sound that comes close to a condenser mic. The OM6 has a hypercardioid polar pick up pattern, so it picks up sound best when a source goes directly head on into it. i found this lack of mid presence in the mic (on one p.a. To learn more about our cookie policy, please check our Privacy Policy. I'm in a rock cover band and it sounds just as good with ballads as it does harder rock with screaming. But it's a real hyper-cardiod and does not cater to sloppy mic technique. That is crazy that a mic this good was sold at radio shack a long time ago. The OM6 is an excellent microphone, especially for female singers. It is just a slightly rising response that adds a tight little color without feeling too saturated. Audix also naturally claims that it is incredibly durable, and built to last a lifetime. This microphone's midrange boost is not at all significant. The clarity is condensor, like requires little if any eq. The Audix OM6 is a great mic for live work especially Vocals. I have a rock voice with a high falsetto, but also a bright warm tone, a bright baritone singer/songwriter. Solves alot of problems with feedback. They are available to offer you personalized product advice any time you need it. You should really test these mics and hear what works for your voice. Audix proudly announces the technology it puts into all of their OM series mics, with high handling capability of sound pressure levels, with the OM6 having the ability to handle 144 dB, a very low mass diaphragm for superior transient response; with the OM6, Audix claims that the sound is almost condenser like. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback, and ability to handle high SPLs in excess of 144 dB without distortion.
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