The Augmented Triad and Whole Tone Scale. The Augmented Scale is: 1. a Hexatonic Scale (6 notes) 2. a Symmetrical Scale(repeating intervals) 3. The 4 types of triads are major, minor, diminished and augmented. Eb = G = B Augmented And also, much like the Diminished Sca… All Rights Reserved. US & Canada: +1 888 616 5371, © 2020 Copyright PianoGroove. Ask questions and get instant replies from our team of teachers. Re-harmonise a tune of your choice using the using as many of the augmented chord substitutions as you can. Leave us your email below and we will send you a full sample lesson and a PDF download. The augmented scale is literally made up of two augmented triads. Step-by-step lessons to master jazz theory, Learn the blues, jazz blues, funk, & gospel, Syllabuses to guide your learning journey, learn to play your favourite tunes & songs. Db = F = A Augmented 3. Was that whole tone scale degrees, or another scale ? Used at least as early as Bix Beiderbecke’s solo piano pieces, where he used the whole tone sound, their use progressed through to modernists like John Coltrane, Oliver Nelson and Michael Brecker. Join PianoGroove Pro to access all downloads and learning resources. Try using the whole tone scale when improvising for different colours over dominant chords. The chord types built from the augmented … Before attempting to improvise over a jazz standard or lead sheet, it’s a good idea to identify which chord scales will work in the progression. In jazz, they have become great tools for improvisation as well as giving basic chords more colour. This part of the lesson focusses on the Augmented scale and how it is derived from the augmented triad. At about 7.46 minutes you were playing the augmented major chords of Ab, C, and Eb and then dropping the bass line down. In this 5 minute masterclass we’re going to take a look into augmented chords and basic scales. We first learn the note names, then intervals, and then we learn the triad which is the most basic building block of harmony. In this example the scale would consist of C Eb E G Ab B C. Since both of the chords are symmetrical every major 3rd the scale is also symmetrical in that way. C = E = Ab Augmented 2. You have a choice of different 3rds and 5ths. I just have one question. It is an interesting scale because in itself it contains two augmented triads and three major triads. Memorise a few of the chord substitutions in this video and use them and their related scale when improvising. The augmented is a 6 note symmetrical scale. The C aug or C+ scale is: C D# E G Ab B Note that the C-E-Ab is an augmented chord and two major thirds apart as well as the D#-G-B. Watch The Full 11 Minute Tutorial Sign In or Join Now, UK & Europe: +44 808 196 2012 The triad is the basic building block for many different types of chords. I will go over some examples of using augmented harmony in a 2-5-1 situation and also look at reharmonising "The Days of Wine and Roses". In example 1 the C and B augmented triads are shown and I’ve added two ways to play the scale. The Basic augmented chord is a major triad with an augmented 5. Augmented chords and scales have been used in classical music for centuries, for example by composers like Debussy, Lizst, Bartok and Schoenberg, just to name few. We will look into ways this is commonly used and some theoretical ideas that make putting it into practice simpler. The Basic augmented chord is a major triad with an augmented 5. The Augmented … It divides the octave into 3 equal parts, major 3rds C-E-Ab-C. Now, if we continue dividing the those intervals, we end up with 6 major 2nds, the whole tone scale. D = F# = Bb Augmented 4. It is constructed from two augmented triads a half step apart. This field is for validation purposes and should be left unchanged. Also knows as the minor-third half-step scale(because that is the intervals that make up the scale) Because the scale is symmetrical, there are only 4 unique Augmented Scales (i.e. It divides the octave into 3 equal parts, major 3rds C-E-Ab-C. Now, if we continue dividing the those intervals, we end up with 6 major 2nds, the whole tone scale. Hi Tuomo, I found this very useful and exciting. The same is of course the case for the B, Eb and G note… Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson. We will look at some of the harmonic structures of augmented triads and how they can be used to add some different flavours to standard harmony. We will look into ways this is commonly used and some theoretical ideas that make putting it into practice simpler. This means that every chord that we find with a C root will also be there with an E and an Ab Root. the C Augmented contains all the same notes as the E and A♭ Augmented) 1.
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