Next is two measures of the 4 chord, an A chord. 12 bar blues is a chord progression that defines the number of bars or measures in a typical blues song structure. For our 1 chord, we’ll be using an E power chord. Have a look at this diagram of the progression: You can see clearly that it has 12 bars (hence the name!!) For the progression, we’re going to start with four measures of the 1 chord, so get your E power chord in place. Memorize this forwards and backwards so that you have it down cold. In order to do this we need to have a look at the bassline, the chords and the melody. - Lesson 2/12. The standard 12-bar blues progression has three chords in it – the 1 chord, the 4 chord, and then the 5 chord. The power of the 12 Bar Blues however, is in the potential to use it as a starting point. on Facebook In the first chord example below I have added an A to the basic C major chord (C-E-G) – this gives it a jazz/blues sound. Jam track. You could play the E Pentatonic minor blues scale in 1st position over the chords. Direct: 1-604-855-7605 12 bar blues in a minor key gives a fantastic moody feel to a song! Toll Free: 1-800-439-8921 In the first example I wrote out the entire 12 bar blues. It is possible to play blues piano with a very simple left hand bass just using a single note for each chord: This works fine, but the groove is quite limited. The progressions shown above are just examples of the most common 12 bar blues chord progressions. The 12-bar blues progression is important because it’s a starting point when musicians get together. 12-Bar Blues in A: The Minor Blues Progression – Alternate Ending. However, we can go even further by extending the bassline to a pattern based on the blues scale. Let’s talk about keys when it comes to the blues. Many blues songs are in 4/4 time, that’s why we’re sticking with 4/4 time in these lessons. You can drop any of these into a blues-based progression and come out smiling. For the 5 chord, we’ll use a B power chord. Thank you for subscribing. Here is a jam tracks to practice with. From there, we have two measure of the 4 chord, so we move to the A power chord and play it for two measures. Have a listen to this example of quick-change blues in E major: There is a huge back catalogue of blues music. It gives the music more of a skipping or rolling feel. The track includes a 12 bar blues in E that involves only bass and drums. With a bit of practising, hopefully you will be able to play a some twelve bar blues on the piano! One of the most obvious ways is that it can be played in any key! Pure Minor. For the 4 chord, we’ll use an A power chord. This is called quick-change or quick four and can be very effective. This song by Chuck Berry recorded in 1959 is one of the most famous 12 bar blues songs. - Nate Savage, 107-31265 Wheel Ave. The 12 bar blues progression uses chords I IV V – the primary chords and is typically in a 4/4 time signature. Looking at a swing feel more technically, you can think of it as three triplets for each beat but you’re removing the middle triplet out of each beat. With that in mind, we’ll be in the key of E blues through this entire series. This is because the blues is kind of a hybrid tonality that is somewhere between major and minor. Have a listen to this example of quick-change blues in E major: You can play whole notes like I did first in the video, or you can play eighth notes with a shuffle rhythm. Share this post: Added chords are simply where an extra note(s) is added to the basic chord triad. For lead and solo playing see the blues … You’re probably heard this in lots of blues songs, so just work on getting the swing feel down. It’s very very simple, just to explain how it works! The 12 bar structure is played three times. Instead of staying on the I chord for four measures, you play a IV chord — for example, A in the key of E — in the second measure for one bar, and go back to the I chord for two bars. Abbotsford, BC, V2T 6H2 Canada Read More. This 1955 hit from Little Richard features some fantastic blues piano playing in F major: We are going to have a look at how to play some 12 bar blues on the piano. We will learn some common shapes for dominant 7th chords and apply them to the standard 12-bar blues progression. This is called quick-change or quick four and can be very effective. This iconic song by Elvis Presley from 1956 follows twelve bar blues in C: Tutti Frutti We’re used to it and it always works well. For the G minor blues progression, you could use the G blues scale. We go back to the 1 chord for two more measure, then move to the 5 chord for one measure of the B chord, back down to the 4 chord for one measure, to the 1 chord for one more measure, and then one measure of the 5 chord to finish up with the twelfth measure of the 12-bar blues progression. Privacy. So, we can have a go at making the bassline more complicated. Subscribe to our mailing list and get FREE music resources to your email inbox. In the other examples I just wrote out the alternatives to bar 1,2 and 9. This is because the blues is kind of a hybrid tonality that is somewhere between major and minor. Once you’re comfortable with it, pull up the jam tracks for this lesson. No Rules. Jazz music often mixes both major and minor ideas. Have a look/listen to the melody I have written for our piano blues piece below. Don't worry if you can't play it perfectly yet, it takes a while. In this lesson we are going to learn the standard blues progression, listen to some famous examples of 12 bar blues songs and learn to play some blues on the piano. We start with a classic 12 bar Blues, 4 measures of I (tonic, E): For now, you can keep the strumming simple if you want by playing all whole notes, and then when you’re ready, you can move up to the swung eighth notes like I played in the example.
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