Just to clarify things I'm going to go through the technique quickly once more, this time with a clap sound, and using the M-Class Compressor in Reason. After EQing your track, you may still not be satisfied with how it “sits” in the mix.Instead of focusing on frequency, let’s look at some kick drum compression settings to tame dynamics.. That’s right, dynamic range has a HUGE impact on your final mix. Read: Best Mics for Drums After the overheads, then comes miking the kick drum. Here is how the drum sounds without compression: Lower the Threshold as far as it will go, and increase the ratio all the way. Share ideas. © 2020 Envato Pty Ltd. Attack times are generally slow to allow the transients of the kit to punch through. It's also a good idea to turn the makeup gain off auto and manually set it to a level so that the drum sounds the same volume when the compressor is bypassed as when it is left in. You should hear that the drum sample(s) are being horribly over compressed. Compression can be a tricky one to get your head around, and even if you've got your head around the threshold and ratio settings without the attack and release times being set correctly it will always be difficult to get the desired effect. Get access to over one million creative assets on Envato Elements. Here is how the drum sounds without compression: Lower the Threshold as far as it will go, and increase the ratio all the way. By adding drum samples, you can lower the original drum tracks in your mix. Now return the ratio and threshold to more normal settings, I've used a ratio of 2.65:1 and a threshold of -28.6dB to result in about 4db of gain reduction, though how much you compress is up to you. Now raise the threshold to a level where you feel the drum start to come back to life, and let it settle there. … This will reduce the impact of the bleed and enable you to compress more without creating a mess. Here's how my compressor looks: Remember that after compression you may well need to EQ a little bass back into your sounds, as compression often affects the energy heavy lower frequencies. Kick drum compression recipes. In this first example I will use the standard compressor that comes with Cubase to compress a kick drum. Drop a compressor into your kick drum channel, or group if you are using more than one kick sample to make your drum. Design templates, stock videos, photos & audio, and much more. The overheads microphones are arguably the most important, as they give you the overall sound of the drums, as well as the room that the drums are in. Snare drum big four quick eq chart. Adding drum samples with Steven Slate’s Trigger plugin. In fact, Loudmax even has a linking parameter to make sure they are exactly the same. A good guideline is around 200ms, but it's a good idea to check that your compressor's gain reduction meter has returned to zero (or thereabouts) before the next drum hit sounds - you may need to use a shorter release time but make sure you listen carefully for any unwanted effects. Now lower the attack time to the shortest setting possible. Design, code, video editing, business, and much more. As before simply load in your sound and run it through a compressor. Design like a professional without Photoshop. Your compressor panel should now look like this: If you slowly creep up the attack control you will hear the sound start to 'click' - when the click becomes fairly pronounced you know that the transient 'attack' on the drum is coming through, and that your attack setting is correct: Now that the attack is set correctly we can return the threshold and ratio controls to something more reasonable - in this case I have set the ratio to 5:1. Trademarks and brands are the property of their respective owners. So, I dropped Loudmax, a free maximizer, onto the master channel and turned down both the threshold and output to -3 dB. Also, if your drums are going to be compressed again after this initial compression(ie more than one snare is going to a bus to be compressed all together) then you may need to be more gentle with your gain reduction to avoid over compression. Band 1: 150Hz high pass They also provide for picking up your cymbals as well since they are sometimes left out of individual miking. Buss compression is typically more subtle than the compression applied to individual channels, and helps to ‘glue’ the drum kit together. For example, my track before the drum compression was peaking at -2.37 dB. Jack Wiles is a qualified and experienced sound engineer/producer working in Nottingham, England. Multiband compression / expansion are what I generally use it for often and I might use the limiter to get a little more weight out of the drum blend without chopping off peaks or shooting for any reduction but just a slight increase in output level. The k… If I have a very consistent drummer with great dynamics then I often will skip compressing the kick drum at all. This quick tip will outline a really handy trick I learned from a friend a few years ago which allows you to get your attack and release times just right. Kick drum big three eq quick chart. With the release control, again you shouldn't have too much trouble, but about 200ms is a good guideline. Lead discussions. Here is a shot of how my compressor is now set: Setting the release is also important, as if the compressor has not 'switched off' before the next drum hits you will have wasted your time setting the attack control! Looking for something to help kick start your next project? Reduce the attack time to the shortest possible, then creep it up so that 'pop' starts to come through like this: You should be able to really hear that 'smack' coming out. Here's my clap sound with the compressor bypassed: As before, we need to first apply some ridiculously heavy compression, so I've turned up the input gain and the ratio as high as they will go, and lowered the threshold right down. Overwall, the overheads will act as the “glue” making all your drums gel together right. Collaborate. Drop a compressor into your kick drum channel, or group if you are using more than one kick sample to make your drum. Everything you need for your next creative project. It's primarily designed to work on drums but the same principles will apply to any percussive sound. Ratios are typically kept low, around 2:1. More pulse (body) +4dB at 200Hz More smack (bang) +3dB at 2kHz More wires (buzz) +6dB at 5kHz More head (texture) +6dB at 7kHz To eliminate kick drum bleed and rumble use a high pass band at 80Hz. Snare drum eq recipes. Whenever I’m dealing with bleed on a snare and I want to compress the track more, I’ll just add a sample. Envato Tuts+ tutorials are translated into other languages by our community members—you can be involved too! Adobe Photoshop, Illustrator and InDesign. Start here for subtle snare drum shaping with mild cut through. Just like a bass guitar, our kick drum’s “low-end” will require some compression to provide consistency. Here is a before and after of my kick drum: The difference is subtle, but you should be able to hear that the second set of kicks sound more punchy and controlled, with less 'fluffyness' to them - this will really help them sit in your mix. You should hear that the drum sample(s) are being horribly over compressed. As a general rule you're going to want to have the release control nice and snappy, but you can get some strange effects if you lower it too far. Host meetups. In this first example I will use the standard compressor that comes with Cubase to compress a kick drum.
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