The stock KMS 105, owing to its supercardioid pattern, has a slightly more focused hot spot than the KMS 104. Published: March 15, 2007. And I soon experienced the cardioid KMS 104 ($849), plus its predecessor, in a comprehensive evaluation proving Neumann’s latest for live does not disappoint. Hand-held condenser mic for live applications. Other notable design stats include an invariable, built-in high-pass filter with a cutoff frequency of 120 Hz, dynamic range of 132 dB, self-noise level of 18 dBa and a transformerless output circuit. I definitely recommend this mic to the stage engineers out there who want a great lead vox mic and/or great horn mic, but I also recommend it to the project studio owner who wants a sweet sounding mic that also handles low noise super well and produces interesting textures and gutsy low end with crispy highs on a dime [relatively speaking]. Neumann KMS 105 Review (2020) The Neumann KMS 105 is a condenser mic that uses a super-cardioid polar pattern with a smooth frequency response, similar to the Shure 55sh. Both microphones were primarily reviewed on male and female vocals in a live, on-stage configuration featuring in-ear monitors; later, another female vocal was used for a second evaluation with a different signal path. The only thing that could be repaired is the wiring between the PCB and XLR connector although due to the robust construction, I can’t imagine why this would be an issue. The Neumann KMS series of handheld condenser mic's are very versatile and sound great. I first became interested in the KMS 105 condenser mic at TapeOpCon 2004 in New Orleans when both Ian MacKaye of Fugazi and The Evens along with Don Zientara of Inner Ear studios, mentioned it as one of their favorite vocal mics. Putting the KMS 104 headgrille on the KMS 105 took off a bit of top end, making it sound smoother or less peaked. Go to your local store and give it a try, or buy it and never look back! I had no idea about this microphone until about a year ago when a friend had it at a live show that I was mixing and he asked if he could use it as his mic for the evening per his preference. The KMS 104 continues the Neumann tradition in high-quality design and performance at a worthwhile price. The third is a small plastic-framed screen that surrounds the diaphragm. I have used this on acoustic guitar and violin in a rehearsal session by taking off the grill and putting it on a mic stand. Which means it shines on vocals where there is a lot of man handling - although no mic is perfect for this, but this gets good results in lowering those unwanted stage noises. The dimensions of Neumann KMS 104 differ slightly from those of KMS 105: the former measures 8.2 x 3.7 x 3.7 inches whereas KMS 105 comes in at 8.1 x 3.5 x 3.5 inches. When it comes to the best vocal condenser microphones, then the Rode s1 and Neumann kms 105 will be automatically found in that list. The ability to sustain ridiculously high SPL's make this a great snare drum and high hat mic. Handling noise is nominal due to solid shell design and isolated electronics; each microphone has a grommet around where the diaphragm touches the body, and foam inserts on the PCB at the point of contact to absorb handling noise. Read Sweetwater customer reviews for Neumann KMS 104 Cardioid Condenser Handheld Vocal Microphone Reviews. My only beef with them is the sensitivity to moisture and contamination on the capsule. Visit our corporate site at www.futureplc.com. Neumann is arguably the most recognized microphone name in the business, so when I heard about the KMS 104, the company’s newest live vocal microphone, I immediately took notice. The KMS 105 excels at voice-over and ADR work as well. The introduction of the KMS 104 should make Neumann’s recognizable logo even more popular at the forefront of the stage, and likely spawn a true live standard. Find helpful customer reviews and review ratings for Neumann KMS 104 Handheld Vocal Condenser Microphone Nickel at Amazon.com. If you are a fan of the KM100 series of SDC's, you will love these mics. This is accomplished via different means for the KMS 104 and its older sibling, the KMS 105. Great multi-setting vocal mic! Most supercardioids pay for this with floor monitor problems if the monitors somehow end up in the rear lobe of the mic. The KMS 105 has a super-cardioid pattern and is great at rejecting surrounding noise and focusing in on the vocal. Vocalists out there who want to own their own mic for gigging - look no further! When you buy products through links across our site, we may earn an affiliate commission. I also decided to put it to the test in the studio, and to be quite honest I realised quickly what a unique and powerful tool this is in a recording setting! I am all for using gear in situations that the gear wasn't necessarily designed for, and I feel this is a great example - plus, when you weigh up the cost of this mic in comparison to some of it's big brothers, it is even more appealing! The PCB for both microphones consist of no user serviceable parts, as the components are surface-mounted and have a layer of clear coating over the components. This enhancement was more apparent with the KMS 105 and was a nice addition to the natural timbre of the singer’s voice. The microphones’ sweet spots are within two inches and directly in front of the diaphragm, although minimal off-axis movement does not result in a noticeable loss of signal. Apparently, the Neumann KMS 105 condenser mic is more compact than KMS 104 counterpart, meaning it … A male vocal sounded great on both models: very clear, crisp tones without any hype except for some welcomed openness on the top end. The Neumann KMS105 Pro Stage Condenser Microphone is a very interesting creature in my opinion. The KMS 104 is priced beyond what many people think they can afford in a world of basement mics but isn’t that far out of reach for those who have found that they can’t afford to buy cheap. Belmont Church occasionally uses a hot-spot monitor, so I did some testing with the hot spot at approximately a 30-degree angle towards both microphones’ diaphragms. I hear that it shines with strings, but I'll have to put that to the test, but I imagine it would be a good choice in that setting too. Once the capsule has been compromised in this way, the mic can no longer be used for close-proximity vocals. The primary signal path for the main live setup was straight into a Soundcraft K2 microphone preamp and some sidechain compression via a Presonus ACP88, which helped manage some of the more piercing high-mid to high frequencies. I had to deliberately place the microphone directly in front of the hot spot to even flirt with feedback. Sits in the mixes really well. Neumann is arguably the most recognized microphone name in the business, so when I heard about the KMS 104, the company's newest live vocal microphone, I immediately took notice. Find helpful customer reviews and review ratings for Neumann KMS 105 MT Condenser Microphone, Super-Cardiod,Matte Black at Amazon.com. The KMS 104 during the first evaluation was also used on a female vocal singing in mostly the soprano range. The removable grill makes maintenance simple and also opens up this mic to other duties when stuck.
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