£2,165 from Gear4Music The Gold standard. What is characteristic of this category of mic is that its sound is usually tailored in some way, either deliberately for a specific recording application, or because of design shortcomings. First Look: Pro Tools | Carbon. You may find that the Rode NT1A (left) sounds as good as a Neumann U87 on your voice. I hope you'd take a moment to think about whether you really believe the "You get what you pay for" is a rational adage. Registration benefits include: The ability to reply to and create new discussions; Access to members-only giveaways & competitions; Interact with VIP industry experts in our guest Q&As ; Access to members-only sub … A little tidbit for you when considering this microphone – Sennheiser also own Neumann (spoiler alert, see #1). misskah. The Rode NT1-A is a great mic. Hello! So if you're recording in a situation where spill may get into the vocal mic off-axis, then the differences between categories two and three begin to become much more apparent. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Q. All rights reserved. Get the best you can afford. La creme de la creme of condenser microphones. I use it for live-tracking acoustic performances and absolutely love the clarity of sound I get. Web site designed & maintained by PB Associates & SOS. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. My Studio. Is it possible that the Neumann microphones are just good quality microphones, just like many others from Rode, Oktava, AKG etc, and the only This is a pure blind test over the renowned Neumann U87 vs the Rode NT1-A. Was it helpful and informative of the world of sound recording? This is because the category two mic will happen to change the character of the sound source in flattering ways — perhaps compensating for that sound's inherent deficiencies. I have two options in front of me right now, and I want to know what is the better deal...? These are mostly in the sub-£150 range, and in my opinion you need to step very carefully if that's your budget, to avoid getting your fingers burnt. The technical demands of producing such mics generally make them pretty expensive. Seems like you've ruled out dozens of decent alternatives, setting yourself up for an arbitrary A/B decision. You may login with either your assigned username or your e-mail address. If it helps here's a shootout between the two, it was also recorded with a Focusrite scarlett. I've done quite a few multi-microphone shoot-outs for workshop sessions that I've run, and I think that my experiences might shed some light on your question. Can I really get a better sound out of the the Neumann than I could get out of the Rode NT1-A. Is there an element of brand snobbery here? In the following article, we will discuss the comparisons between Rode K2 vs Neumann U87. Much more so than preamps or converters. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. So I decided to buy one on eBay for about 250€/320$. Neumann U87 vs Rode NT1-A Comparison When you buy products through links across our site, we may earn an affiliate commission. In multi-mic shoot-outs, for example, I've found that at least one less expensive mic will usually out-perform the 'category three' mics (according to audience consensus). However, what I've also found over time is that category three mics never deliver an unacceptable result. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. You may find that the Rode NT1A (left) sounds as good as a Neumann U87 on your voice. Join me each week as we explore another area of the world of Audio Engineering. You also need to be careful when using 'category two' mics in any situation where you're likely to pick up appreciable levels of off-axis sound (room ambience or spill from other instruments), because these mics often give an undesirable tonality to off-axis sounds. 20th August 2016 #31. We see you've found the Newbie subforum! Like, an arm and a leg and maybe a kidney expensive. A good mic will sound better than a cheap mic even on cheap interfaces. I have a time limit on this, so I am researching outside of the forum, as well as waiting for a reply. Quote: Originally Posted by Vesta. One Synth Challenge V - The Filter Strikes Back! However, Rode K2 is available at a much lower price point. Or are mics such as those made by Neumann and Microtech Gefell designed so that they flatter everyone's voices? What I've found is that vocal mics roughly divide into three categories. The views expressed are those of the contributors and not necessarily those of the publishers. You may find that the Rode NT1A (left) sounds as good as a Neumann U87 on your voice. The Rode NT1 is one of the best condenser microphones in this price bracket. Despite being more affordable, its features do look more attractive. Hey there! Lives for gear . Neumann U87, Røde NT1-A, and Fifine K670. Then there is the second category. I could really use some expert advice here. ... Neumann U87 vs Rode NT1-A Comparison. If you buy a mic in this category, you need to be prepared for it to sound terrible on some occasions and simply respectable for a fair amount of the time. What I've found is that vocal mics roughly divide into three categories. TLM102 is a good mic. I've noticed that many people mention how any given microphone will suit some voices and not others. So here it goes cause I think some of you could really help me with their experience… I came across a threat about the Rode NT2 being a now forbidden copy of the Neumann U87. All setting were the same and the performance was captured simultaneously. Rode NT2 vs Neumann U87? The microphone is the most important piece of recording hardware chain. Both of them are condenser microphones with multiple polar patterns. Looking for a buyer's guide? ... Neumann U87. However, if you put most of these mics out in the middle of an ensemble, their off-axis colorations can quickly let them down by compromising the effect of the other instruments with dodgy-sounding spill. We've got those too - click here to see an ever-growing list of community-voted "top ten" lists. Despite being more affordable, its features do look more attractive. KevWind. Create a username and password below and an account will be created and your post entered. Category two mics, in contrast, tend to appear at all positions in the hierarchy, from first choice to last, depending on the particular combination of sound source and room being used. Mastering Essentials Part 3 - How loud should I master? Both of them are condenser microphones with multiple polar patterns. This is why we so often recommend experimenting with various different vocal mics when you start working with a new singer. This is a pure blind test over the renowned Neumann U87 vs the Rode NT1-A. To my mind, one of the most important things you're paying for with a high-end mic such as the U87 is that they will reliably give you very good recordings every time. Learn more Page 2 of 3 < 1 2 3 > Reply OPTIONS. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. We will start off by saying, yes, it is expensive. misskah. We all had to start somewhere! The third category of mic doesn't so obviously tailor the sound, instead capturing it fairly neutrally. There are now a lot of affordable mics that will give you a reasonable close-miked vocal recording when you work on-axis, and with a bit of acoustic treatment. Let’s find out! But it may not, so it's important that you try before you buy. It's not that there aren't any respectable mics in this price range, it's just that there are many dodgy ones too. Both microphones were plugged with equal cables to the pres of a Focusrite Liquid Saffire 56. I've done quite a few multi-microphone shoot-outs for workshop sessions that I've run, and I think that my experiences might shed some light on your question.
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