Who is the best online guitar personality of 2020? Schematics from the SSL E‑series bus compressor have been used to build the digital model, but instead of modeling the non‑linearity of the VCAs, a 'perfect' VCA has been modelled, which makes The Glue sound more like the modern SSL XLogic G‑series compressor. During the process of creation, an XLogic hardware unit was used to compare and tweak the performance of the plug‑in. The Waves plug‑in sounded flat and grainy compared to the other plug‑ins, and lacked some definition. Cytomic are a rather new company, but do not lack in experience when it comes to making plug‑ins. The two pretty much share the same settings except that there are additional attack and release settings in the plug‑in, along with a high‑pass side‑chain filter, Dry/Wet control, and compression Range control. Then gradually easing back the mix. It's kind of a 'more of everything' compressor, and at a great price too! Normally I would resort to softer limiting to even things out, but that requires great care and tweaking in order to avoid losing some impact. Threshold, makeup gain and the meter have also been given new names. Using the Mix control, it's possible to blend the uncompressed and compressed signals, thus producing parallel compression — a very effective way of adding energy without squashing the transients. Set the controls to give a mild, subtle lift that… well, “glues” the tracks together. The vivid definition of the choirs set it apart from the other sound clips. First Look: Pro Tools | Carbon. It uses the same high quality algorithms used in circuit simulators, but optimised to run fast, and features a gorgeous fully scalable user interface. At 4:1, the compression becomes more obvious, and at 10:1, The Glue is basically a peak limiter. The BC1 made the guitar a bit smoother without losing any definition or stereo width, sounding maybe a bit more compressed compared to the others. The plug-in is cross-platform, in VST, AU and RTAS formats (although RTAS for Windows is still in development), and it's intended to be as CPU-efficient as possible. Re: One Synth Challenge V - The Filter Strikes Back! The topmost compression meter displays the depth of compression in an RMS-level fashion, and clicking the display will show the amount of peak compression too. Threshold and make‑up gain are represented by two knobs but, more interestingly, there is a compression range knob, which limits the maximum amount of compression applied, regardless of the other settings. All rights reserved. FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Sometimes I just needed a gentle touch of compression, and the Range control made it possible by limiting the compression to a few decibels. Sidechain filter. PC with Intel Core 2 Quad 2.4GHz CPU, Asus P5B Deluxe motherboard with Intel P965 chip set, 4GB DDR2 RAM, RME RayDat soundcard, running Windows 7 Ultimate 64‑bit. Andrew pointed out that the processing wasn't using any oversampling, and consequently a low‑level aliasing was present, which added a mild harshness to the transients and smeared the finest details of the source. During the test I did not have access to the hardware unit on which The Glue had been modelled, namely the SSL XLogic compressor, but Andrew was gracious enough to send me some of his own measurements and recordings of the hardware and his plug‑in. Next up, both the Mix and Range controls add a host of options for dialling in the compression flavour, and in practice we found this made The Glue an incredibly flexible compressor suitable not just for use on the master bus, but for individual instruments too. 3. Even though the differences were small, the oversampled Glue felt a bit more alive compared to the non‑oversampled. What is a "hybrid" audio interface anyway? Finally, the PeakClip option with its associated red LED is useful if used carefully, though it shouldn't be confused with analogue-style soft saturation, as it will produce harsh distortion if pushed too far. 1. Visit our corporate site. Oversampling will be available as an option in a coming update of The Glue, and by the time you read this it will probably have been implemented. The only minor omission is automatic makeup gain. In comparison, the oversampled processing retained a better stereo width, more transients and a slightly greater depth in the mid‑range. Kick drum: starting with medium attack, fast release compression gradually winding up the sidechain filter ending at around 300Hz. I recorded the results of my shoot-out to give SOS readers the opportunity to compare The Glue with the UAD 4k Buss Compressor and the Waves SSL Compressor. All rights reserved. The UAD plug‑in had a nice release curve that made the compression pump with the drums and it added some mid‑range, but at the same time the hi‑hats were suppressed a little bit. The stereo width and definition was a tad better with the oversampled plug‑in, but in this case, the coloration of the transients in the non‑oversampled plug‑in somehow suited the acoustic guitar. Thank you for signing up to Musicradar. The attack settings range from 0.01 to 30 milliseconds (the fastest setting is not present in the original hardware). Who is the best acoustic guitarist of 2020? Receive news and offers from our other brands? England and Wales company registration number 2008885. There are a bunch of plug‑ins that share the same architecture and layout, including the UAD 4k Buss Compressor, the Waves SSL Comp and the SSL Duende Stereo Buss Compressor. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The Glue The Glue is an analog modeled compressor plug-in based on The classic 80's British big console buss compressor with some handy additional features. There are numerous options for those seeking a virtual imitation of SSL's famous hardware bus compressor, including Universal Audio's 4K Buss Compressor, the Waves 4000 Series bundle, and, of course, the official Stereo Bus Compressor for SSL's own Duende DSP system. Mix and Range add flexibility. The Glue Compressor is not intended to work like a conventional compressor that flattens an input with a highly variable level, although you can always increase or lower the ratio or threshold for the best sound. Future Publishing Limited Quay House, The Ambury, Next up was a stereo‑dubbed acoustic guitar. Schematics from the SSL E‑series bus compressor have been used to build the digital model, but instead of modeling the non‑linearity of the VCAs, a 'perfect' VCA has been modelled, which makes The Glue sound more like the modern SSL XLogic G‑series compressor. For The Glue, this means additional Range and Mix controls, a PeakClip option and a sidechain feature with external and low-cut options. In comparison, I first found them fairly similar in sound, but The Glue lacked some authenticity, and the transients weren't as smooth‑sounding. Being a non-endorsed imitation, The Glue is free from the requirement of rigorously replicating the original, and Cytomic has taken the opportunity to include some additional features that you won't find on the real thing. More than just a bus compressor, this fine-sounding and afordable debut from Cytomic deserves to be a hit.
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