Tested and screened Telefunken Elektroakustik. It works great and I have used it on the KPIG live radio shows on Sunday mornings with Sleepy John. 12.8 ozs. The Telefunken C-12 features its CK12 capsule, Haufe manufactured output stage and 6072a vacuum tube, … Mr. Warshaw writes:The Telefunken ELA M 250/251 was made for Telefunken by AKG after Neumann discontinued its OEM production of the Telefunken U 47. Original C 12s regularly sell for $10,000 to $15,000 and some have fetched upwards of $30,000—many times their original price (even factoring inflation) thanks to its combination of rarity and high performance. Originally developed by AKG Acoustics in 1953, the C12 is revered for its smooth, airy frequency response. THD at 1kHZ at 1Pa (Amplifier): < 0.3%. Most important, the head grilles are different, so acoustics are also different.The photo of the black mic is not an AKG model but was made by an east German company by the name of Thiele, a rather unknown brand from the forties and fifties. The C 12 is remotely controlled for pattern by polarizing the rear diaphragm with a separate variable voltage from the power supply, while the ELA M 250/251 has switches in the capsule assembly that change its polarization pattern. Geld terug Ruilen binnen 30 dagen The unit shown in these photographs was won on eBay for $6,862 on October 23, 2005. Frequency Range: 20 Hz – 20 kHz, ±3 dB. The mic was released in 2003. TF51 - We've refined the AR-51 to inch a little closer to the ELA M 251E sweet spot. Maximum SPL (for 1% THD): 130 dB. 50.000 producten staan klaar voor verzend. In addition to three basic characteristics, omni-directional, cardioid and bi-directional, six intermediate patterns (including hypercardioids) are available. 3.2 oz. The Telefunken Elektroakustik C-12 is also known as: M12, Ela M 12. The AKG C 12 was introduced in 1953 and production continued until 1963. net (560 g), shipping weight 29 lbs. Transformer: TELEFUNKEN Elektroakustik T80. Download the AKG C 12 schematic The Telefunken Models ELA M 250, 251 Capsule: TELEFUNKEN Elektroakustik CK12 - Edge Terminated Large Diaphragm. The Ela M 12 / C12, like all of Telefunken Elektroakustik’s “Platinum Series” mics, is covered by a transferable, limited lifetime warranty. Power Source: External Power Supply. The tube is covered by a 90-day warranty. Telefunken Copperhead Frequency Response of Beckett Keery Read about Telefunken Copperhead Frequency Response storiesor see Sacoche [2020] and on En Kyckling. Interesting. Sensitivity: 1.0 mV/µbar (–60 dB re 1 V/dyne/cm, Impedance: 50/200 ohms (change solder lugs), Mains Connection: 110/125/145/220/245 volts, Weight: 1 lb. Of course Neumann still made the U 47 for many years. Der Mittenbereich wird klar und deutlich eingefangen und verleiht dem Signal eine natürliche Präsenz während der Tiefenbereich kompakt und fokussiert abgebildet wird. The extended low frequency response and new headgrille do a lot for this.-Capsule - Same CK12-style edge terminated capsule as the AR-51-Tube - This has been changed to the same 6072A we use in our 251E and C12. OEM versions of the C 12 were also produced for Siemens (SM 203, SM 204) and for Telefunken (ELA M 251). Sensitivity: 1.54 mV/Pa, ±1 dB. Maximum SPL (for 1% THD): 135 dB. The 251 included these patterns and also the figure eight.The second difference is in the circuit. Telefunken C12 - Tube Condenser Microphone. The design of the C12 was unique in its remote capsule polarizing technology. The design of the C12 was unique in its remote capsule polarizing technology. Output Impedance: 200 Ω. THD at 1kHZ at 1Pa (Amplifier): < 0.25%. Tube: TELEFUNKEN Elektroakustik VF14K. ©2004-2020 - Studio Economik Inc.® All Right Reserved. It has been specially designed for use in sound recording and broadcasting studios, and is the choice of many studios both at home and abroad.Nine different directional characteristics can be selected by means of a remote control unit without any change in frequency response or sensitivity. Its CK 12 capsule was the first to have the acoustic “fingerprint” in its frequency response for which other AKG microphones have become famous: a small dip at around two kHz and a well-chosen presence rise. The AKG catalog boasted that the S12 could alter the mic’s polar pattern “without clicking or other disturbing noises [up]on switching,” and further that neither the mic’s sensitivity nor frequency response varied with the pattern.
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