), a cornerstone of software mixing. I use one of these on every track I record...nuff said! I don’t want to resort to hyperbole, but I’ve yet to put it on an acoustic instrument and be disappointed. ”Bill” Putnam later purchased this patented technology, continuing to manufacture the LA-2A for years to come. Jim Lawrence’s original mid-1960s “Gray” version the LA-2A maintains a more average time constant, providing a range of “medium-speed” compression. © 2020 MusicTech is a member of the media division of BandLab Technologies. Teletronix LA-2A Classic Leveler Collection When you buy products through links across our site, we may earn an affiliate commission. Learn more Teletronix LA-2A Classic Leveler Collection 8 Reviews Sell this product. I was hesitant to buy the 2A collection so I just made do with the legacy version. Software compressor Universal Audio Teletronix LA-2A Classic Leveler Collection Plug-In: 28 audio file, 9 images, 3 news items, 1 editorial review, 1 file to download, 1 video and 1 discussion in the forums 12 Days of Savings Up to 60% Off - Ends November 30th. I've always used plug-in versions of these but the UAD ones are in a league of their own. Following the release of the redesigned 1176 Classic Limiter Plug-in Collection a few months ago, it was somewhat inevitable that Universal Audio would take an opportunity to revisit some of its other classic compressor plug-ins. I demo’d the collection and it literally blew me away. It’s certainly a timely move, especially given that the original plug-ins are well over ten years old and that advances in computing technology means that plug-in developers now have a significantly greater amount of CPU resources to play with. Minimum system requirements Like the hardware, the LA-2A Silver, LA-2A Gray, and LA-2 models offer distinct variations in time constants, compression knee, headroom, distortion, program and frequency dependence, and more. This is indeed a “classic”, and I can only add One of the four “analog classics” that came with my UAD-2 Solo/Laptop card – a very generous... UAD Teletronix® LA-2A Classic Leveling Amplifier Plug-In - User review - Gearslutz I loved this compressor soo much . PC Windows 7 (SP1), UAD-2 / Mac OSX 10.6.8, UAD-2. The flexibility and colour of the latest incarnation of the LA2A is amazing. 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The Teletronix LA-2A Leveler Collection puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. It provides the slowest response and a unique “mellowed” sound due to 50 years of luminescent panel aging inside the T4 module. 4-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics, Regular Price: i.e. Universal Audio already knew how to emulate one of the most beloved optical compressors ever – now they know a lot more.. In its hardware form, the Teletronix LA-2A was arguably one of the most revered optical compressors of its time, famed for gentle, musical compression. Definitely worth it - the best sounding compared to other companies' emulations! Let me preface this by saying I'm a songwriter that needs to create reasonable work tapes for my publisher to review prior to an official demo recording. Love it. I highly recommend reading the manual if youre not sure of the differences. The LA-2A is a well known compression staple - and it’s so smooth, but wow is the LA-2 a tone machine. But the LA-2A Classic Leveler Plug-In Collection adds some unique "under the hood" features and variation between the LA-2A plug-in models that may not be immediately obvious at first listen. You must have JavaScript enabled in your browser to utilize the functionality of this website. The Teletronix LA-2A Leveler Collection puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. Teletronix founder Jim Lawrence first used photocells for controlling audio gain in the early 1960s. Something new this way comes. By checking the boxes you agree to receive the following from us via e-mail. In effect, the LA-2A is a two-knob compressor, with Peak Reduction working as a form of threshold control, and a Gain knob to raise the signal back up to unity after compression has been applied. 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